Overview of this course:
An in-depth study of various works of the period. Readings will be supplemented with lectures and presentations on Modernism and the important figures, movements and manifestos integral to the period.
Class Time and Place: MWF 1:00-1:50 in ACB 111
Your Instructor: Dr. Julie Barak
Office Phone: 248-1072
Office: LHH 452
Office Hours: MW 8:00-8:50, 2:00-2:50; T 11:00-11:50; F 8:00-8:50
E-mail: [email protected]
Syllabus subject to change. Changes will be announced in class. If you miss class, you are responsible for finding out what has changed and for completing the appropriate assignment.
Required Textbooks and Materials:
Dreiser, Theodore. Sister Carrie
Hemingway, Ernest. Garden of Eden
Hurston, Zora Neal. Their Eyes Were Watching God
Kalaidjian, Walter, Ed. The Cambridge Companion to American Modernism
Lauter, Paul, Gen. Ed. The Heath Anthology of American Literature, Volume D: Modern Period 1910-1945
Broad Course Goals:
1. To become familiar with the basic philosophical, historical and aesthetic trends of the period.
Objectives:
1. Students will be able to identify and discuss the basic tenets and ideas of Modernism;
2. Students will be able to apply these tenets of Modernism to the literary texts in order to investigate meanings and contemplate effects;
3. Students will be able to write sound and logical essays summarizing and demonstrating an understanding of someone else’s work;
4. Students will be able to evaluate the relevance of that work for interpreting and critiquing a literary text.
Course Requirements:
1. Random quizzes over reading assignments. 100 points.
Terms for investigation: 1. Sir James Frazer, 2. Freud, 3. Nietzsche and “the will to power,” 4. Einstein and Theories of Relativity, 5. Symbolism, 6. Realism and Naturalism, 7. Impressionism, 8. Max Weber, 9. Victorianism and the Enlightenment, 10. Romanticism, 11. Existential panic/alienation, 12. Avant garde, 13. Mach and positivism, 14. Carl Jung, 15. Expressionism, 16. Cubism, 17. Modernism and music, 18. Dada, 19. Surrealism, 20. Jazz age, 21. Fascism, 22. Fauvism, 23. Primitivism, 24. Modernism and architecture
Grades:
Random Daily Quizzes on Readings 100 points
Definition of term: 100 points
Summary of critical article: 100 points
Paper evaluating critical article: 200 points
Midterm: 250 points
Final: 250 points
Total 1000 points
900-1000 points = A; 800-899 points = B; 700-799 points = C; 600-699 points = D; Below 600 = F
Raw grade may be raised or lowered by one letter according to the quality of the student’s class participation and quantity of the student’s attendance.
Policies and Procedures:
1. Turn work in on time. I always take late work, but I assess a heavy penalty for delayed submission. For every day the work is late, the grade drops one full letter grade. So, if you have an essay due on Monday, but you don't turn it in until Thursday, you won't receive any grade higher than a "D" for that assignment. Do your work ahead of time. Print your essay or response out the night BEFORE it's due. Don't wait until the last minute to dash something off. Be sure you back up all the work you do on your computer so that you have a copy on your hard drive and a copy on disk. No kind of excuse -- computer or printer problems, disk problems, lost items, etc. -- will mitigate the penalty for late work.
2. Academic Honesty: Refer to the Student Handbook for college policies on Academic Honesty. You are cautioned a) against using, word for word, without acknowledgment, phrases, sentences, paragraphs, etc. from the printed or manuscript material of others; b) against using with only slight changes the materials of others; and c) against using the general plan, the main headings, or a rewritten form of someone else’s material. These cautions apply to the work of other students as well as to the published work of professional writers. Violations will be handled according to the guidelines suggested in the Student Handbook.
3. Students w/ Disabilities: In coordination with Educational Access Services, reasonable accommodations will be provided for qualified students with disabilities. Please meet with the instructor the first week of class to make arrangements. Educational Access Services can be contacted at 248-1856, or in person in Houston Hall, Room 100.
4. Tutorial Learning Center = TLC: The TLC is a FREE academic service for all MSC students. Tutors are available on a walk-in basis for many courses. Needing to ask a quick question? Seeking homework clarification? Looking for feedback on a paper? Reviewing for a test? Come to Houston Hall 110 on Mondays through Thursdays from 8AM-7PM and Fridays from 8AM-5PM to meet with one of our peer tutors. Please call 970-248-1392 with any questions.
Schedule for Spring 2010
Week |
Date |
Assignment |
Project Due |
1 |
J – 18 – M |
Intro to Course |
1. Term due -- Julie |
|
J – 20 – W |
Intro from Heath – Modern Period 1910-1945 |
2. Term due -- ____________ 3. Term due -- ____________ |
|
J – 22 – F |
Intro and Nationalism and the Modern American Canon from Kalaidjian |
4. Term due -- ___________ 5. Term due -- ___________ |
2 |
J – 25 – M |
Mod. American Fiction from Kalaidjian Sister Carrie – 1-10 |
6.
Term due -- ___________ |
|
J – 27 – W |
Sister Carrie – 11-21 |
7. Term due -- ____________ 8. Term due -- ____________ |
|
J – 29 – F |
Sister Carrie – 22-35 |
9. Term due -- ____________ Report on Dreiser Article -- ______ |
3 |
F – 1 – M |
Sister Carrie to end |
10. Term due -- ____________ Report on Dreiser Article -- _______ |
|
F – 3 – W |
Fitzgerald in Heath |
11. Term due -- ____________ Report on Fitzgerald Article -- ____ |
|
F – 5 – F |
Faulkner in Heath |
12. Term due -- ____________ Report on Faulkner Article -- _____ |
4 |
F – 8 – M |
Wharton in Heath |
13.
Term due -- ____________ |
|
F – 10 – W |
Anderson in Heath |
14. Term due -- ____________ 15. Term due -- ____________ |
|
F – 12 – F |
Mod. American Poetry from Kalaidjian Tradition and the Individual Talent – T. S. Eliot – in Heath |
16. Term due -- ____________ |
5 |
F – 15 – M |
T. S. Eliot – in Heath |
16. Term due -- ____________ Report on Eliot Article -- _______ |
|
F – 17 – W |
Pound in Heath |
17. Term due --
____________ |
|
F – 19 – F |
William Carlos Williams in Heath |
18. Term due -- ____________ |
6 |
F – 22 – M |
e. e. cummings in Heath |
19. Term due -- ____________ |
|
F – 24 – W |
Wallace Stevens in Heath |
20. Term due -- ____________ |
|
F – 26 – F |
Marianne Moore in Heath |
21. Term due -- ____________ 22. Term due --____________ |
7 |
M – 01 – M |
Frost in Heath |
23. Term due -- ____________ |
|
M – 03 – W |
Lowell in Heath |
24. Term due -- ____________ |
|
M – 05 – F |
Midterm Exam |
|
8 |
M – 08-12 |
Spring Break |
|
|
M – 15 – M |
Mod. American Drama from Kalaidjian Trifles – Glaspell in Heath |
|
|
M – 17 – W |
Hairy Ape – O’Neill in Heath |
Report on O’Neill Article -- _____ |
|
M – 19 – F |
American Modernism and the New Negro Renaissance from Kalaidjian Cullen and McKay in Heath |
|
|
M – 22 – M |
W. E. B. Du Bois in Heath Their Eyes Were Watching God – 1-8 |
Report on Hurston Article -- _____ |
|
M – 24 – W |
Their Eyes Were Watching God – to end |
Report on Hurston Article -- _____ |
|
M – 26 – F |
No Class |
|
|
M – 29 – M |
Langston Hughes in Heath |
Report on Hughes Article -- _____ |
|
M – 31 – W |
Schuyler in Heath Larson in Heath |
Report on Larson Article -- _____ |
|
A – 02 – F |
Cluster: Political Poetry in the Modern Period in Heath |
|
|
A – 05 – M |
Jazz and Visual Arts and Avant-Garde from Kalaidjian |
|
|
A – 07 – W |
Gender and Sexuality in American Modernism from Kalaidjian. Loy Handout. |
|
|
A – 09 – F |
Stein in Heath |
Report on Stein Article -- _________ |
|
A – 12 – M |
Garden of Eden |
Report on Hemingway Article -- _____ |
|
A – 14 – W |
Garden of Eden |
Report on Hemingway Article -- _____ |
|
A – 16 – F |
No Class |
|
|
A – 19 – M |
Garden of Eden |
Report on Hemingway Article -- _____ |
|
A – 21 – W |
Garden of Eden to end |
Report on Hemingway Article -- _____ |
|
A – 23 – F |
Social Representations within American Modernism from Kalaidjian. Bourne and Dos Passos in Heath |
Report on Dos Passos Article -- _____ |
|
A – 26 – M |
Yezierska and Gold in Heath |
Report on Yezierksa Article -- _____ Report on Gold Article -- _____ |
|
A – 28 – W |
Mathews, Whitecloud and McNickle in Heath |
Report on McNickle Article -- _____ |
|
A – 30 – F |
Wright and Walker in Heath |
Report on Wright Article -- _____ Report on Walker Article -- _____ |
|
M – 03 – M |
De Donato in Heath |
Report on De Donato Article -- _____ |
|
M – 05 – W |
Paredes in Heath |
Report on Paredes Article -- __________ |
|
M – 07 – F |
Review |
|
|
M – 10-13 |
Exam Week |
Final Exam – 1:00 May 12th |
Cross out the term you’ve chosen before you pass the sheet to the next person.
Terms for investigation:
1. Sir
James Frazer 13. Mach and
positivism,
2. Freud 14. Carl
Jung
3. Nietzsche and “the will to power” 15. Expressionism
4. Einstein and Theories of Relativity 16. Cubism
5. Symbolism 17. Modernism and classical music
6. Realism and Naturalism 18. Dada
7. Impressionism 19. Surrealism
8. Max Weber 20. Jazz Age
9. Victorianism and the Enlightenment 21. Fascism
10. Romanticism 22. Fauvism
11. Existential panic/alienation 23. Primitivism
12. Avant garde 24. Modernism and architecture
Sign-up Sheet for Terms:
Date |
Presenter |
Term |
Jan 18 |
Julie |
Imagism |
Jan 20 |
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Jan 20 |
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Jan 22 |
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Jan 22 |
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Jan 25 |
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Jan 27 |
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Jan 27 |
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Jan 29 |
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Feb 01 |
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Feb 03 |
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Feb 05 |
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Feb 08 |
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Feb 10 |
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Feb 12 |
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Feb 15 |
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Feb 17 |
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Feb 19 |
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Feb 22 |
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Feb 22 |
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Feb 24 |
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Feb 26 |
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Feb 26 |
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Mar 01 |
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Mar 03 |
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Please check with me before you work on your summary. I want to make sure the article you’ve chosen is appropriate. Please use resources from the library databases: JSTOR, LION, Project Muse, MLA Bibliography are the best places to go for literary research. Remember that the article should explicate or explain how the critic/writer makes sense of some aspect of the text under consideration.
Sign-up Sheet for Article Report:
Date |
Presenter |
Author/Work |
Jan 25 |
Julie |
Dreiser – Sister Carrie |
Jan 29 |
|
Dreiser – Sister Carrie |
Feb 01 |
|
Dreiser – Sister Carrie |
Feb 03 |
|
Fitzgerald – “Babylon Revisited” |
Feb 05 |
|
Faulkner – “Barn Burning” or “Delta Autumn” |
Feb 08 |
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Wharton – “The Other Two” or “Roman Fever” |
Feb 15 |
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Eliot – “The Wasteland” |
Feb 17 |
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Pound – “Hugh Selwyn Mauberley” or “The Cantos” |
Mar 17 |
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O’Neill – The Hairy Ape |
Mar 22 |
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Hurston – Their Eyes |
Mar 24 |
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Hurston – Their Eyes . . . |
Mar 29 |
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Hughes – Poetry |
Mar 31 |
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Larson – Passing |
Apr 09 |
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Stein – You choose |
Apr 12 |
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Hemingway – Garden of Eden |
Apr 14 |
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Hemingway – Garden of Eden |
Apr 19 |
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Hemingway – Garden of Eden |
Apr 21 |
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Hemingway – Garden of Eden |
Apr 23 |
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Dos Passos – U.S. A. |
Apr 26 |
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Yezierska – “America and I” |
Apr 26 |
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Gold – Jews without Money |
Apr 30 |
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Wright – “Bright and Morning Star” or “Between the World and Me” |
Apr 30 |
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Walker – Jubilee |
May 03 |
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De Donato – “Christ in Concrete” |
May 05 |
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Paredes -- http://0-muse.jhu.edu.www.millennium.marmot.org/journals/american_literary_history/v021/21.3.saldivar.html |