Course:  English 112 – English Composition                          Instructor:  Julie Barak

Office:  443 Lowell Heiny Hall                                              Office Hours:  11:30-12:30 M-Th

Phone:  248-1072                                                                    E-mail:  [email protected]

Home page:  http://www.mesastate.edu/~jbarak

 
 

 

 

 


Course Goals:  To examine, discuss, and practice composing various styles and modes of writing in order to develop the confidence, independence, and skills necessary to tackle virtually any writing task assigned in any college class. This includes learning to read, think and write critically about literature and other types of texts; discovering the steps in the research process and applying those steps in our own writing; analyzing, summarizing, paraphrasing, quoting and citing source material without plagiarizing; eliminating distracting mechanical errors, developing an awareness of various citation styles, including but not limited to MLA.

 

General Education Requirements:  This course has been accepted by the CCHE as a General Education Transfer course. To meet this requirement, the course must meet minimum reading and writing requirements, as well as address the following critical thinking skills:  a) Identifying and differentiating questions, problems and arguments, b) Evaluating the appropriateness of various methods of reasoning and verification, c) Identifying and assessing stated and unstated assumptions, d) Critically comparing different points of view, e) Formulating questions and problems, f) Constructing and developing cogent arguments, g) Discussing alternative points of view, h) Evaluating the quality of evidence and reasoning.

 

Course Methods:  Two things are important about the course in terms of methods.  First of all, the course is designed as a writing workshop. That means that we’ll spend most of our class time writing, reading, and talking about writing and/or reading.  We’ll write about others’ writing, write about our own writing process, write about various subjects, read our own writing out loud in large and small groups, read others’ writing, and discuss everything! Click here for reading sign-up.  Second, I’ve chosen a topic to help us begin our reading/writing/conversing. That topic is race/race relationships. In particular, we’ll be looking at race from a postcolonial context. As we read and discuss the literature and the essays I’ve selected for the class, research topics and projects should begin to develop for you. We’ll spend time investigating how to turn these ideas into a researched writing project. 

 

Required Texts:

Conrad, Joseph, Heart of Darkness.

Reed, Ishmael.  MultiAmerica: Essays on Cultural Wars and Cultural Peace.

Shakespeare, William.The Tempest.

 

Other Expenses:

Occasional copies of your own writing for large and small group discussion.

 

Course Requirements:

1)      Three Papers:  One essay on The Tempest (10%), one on Heart of Darkness (15%), and one extended research paper that has its source in a chapter of MultiAmerica (25%).  More details about and explanation of these assignments will follow.

2)      Writing Process Journal:  This journal reflects on your writing process. Prompts will be provided. We will spend 25-30 minutes a day in class writing about our thoughts, ideas, struggles, and plans for our writing and sharing that writing with each other.  (20%)

3)      Literature Discussion Guide:  Nine students will lead the discussions of the readings on assigned days. You should come to class with a piece of writing that records observations, questions, connections that will promote a discussion of the text under scrutiny. Sign-up sheets will be circulated and posted so that everyone knows who is responsible for what when.  (5%) Click here for Sign-up.

4)      Essay Discussion Leadership:  A brief (2-3 page) summary/response to one of the readings from MultiAmerica. You will address what you consider to be the most significant questions/issues/concerns raised in the essay and then lead the class in a discussion of the piece of writing based around that issue. The last paragraph in the essay should be devoted to meditating on possible research topics that derive from the essay. What did it leave you wanting to know more about? What are some sources it referenced that you’d like to check into? What connections does it make with other issues you are curious about? Sign-up sheets will be circulated and posted. (10%) Click here for Sign-up.

5)      Various Short Daily Assignments: See schedule. Details and explanations forthcoming. (15%)

6)      Attendance and Participation: In a workshop setting, your contributions to discussion are very important.  If you’re not here, you can’t share what you know and we all miss out.  So, show up and speak up. You get one free absence. After that first one, you lose one letter grade for every absence.  So if you have an “A” average for the work you’ve turned in, but you’ve missed two days of class, your final grade drops to a “B.” If you’ve missed three days, your final grade drops to a “C,” and so on. Late work will be accepted, but the grade for the paper will be dropped one letter grade for each day it’s late.  So, for example, an “A” paper turned in two days late, earns a “C.”

 

Policies and Procedures:

Academic Misconduct.  Please read the section on cheating and plagiarism in the student handbook.  The consequences for cheating and plagiarism are severe, including failure for the assignment, possible failure of the course, disciplinary referral to the dean, and possible expulsion from the college.  If you have questions about these violations of academic honesty, please come and see me. 

 

Disabilities.  If you have any condition, such as a physical or mental disability, which will make it difficult for you to carry out the work for the course, please talk to me and we will work with the support services here at Mesa State to provide you with the necessary assistance. 

 

 

Schedule:

 

 

Date

Reading Assignment

Writing or Responses Due

 

Week 1

May 10

The Tempest  -- Acts 1 & 2

--Journal Response (in class)

 

May 11

The Tempest  -- to end

--Literature Discussion Guide Due (See sign-up)

--Journal Response (in class)

 

May 12

Group 1 – Takaki

Group 2 – Kermode and Brower

--Journal Response (in class)

 

May 13

Group 1 – Brown, Willis

Group 2 – Barker and Hulme, Skura

--Journal Response (in class)

Week 2

May 17

Heart of Darkness  -- First half

--Paper 1 Due – Summary/Response The Tempest. Post to K drive, send me an e-mail, bring a disc, or bring copies.

--Literature Discussion Guide Due (See sign-up)

--Journal Response (in class)

 

May 18

Heart of Darkness – Second half

--Literature Discussion Guide Due (See sign-up)

--Journal Response (in class)

 

May 19

Group 1 – Haugh, Guerad

Group 2 – Achebe, Harris, Singh, Sarvan

--Journal Response (in class)

--Position Draft Due – short piece

 

May 20

Group 1 – Stewart, McLaughlin

Group 2 – Levensen, Kimbrough

--Journal Response (in class)

 

Week 3

May 24

Various readings from MultiAmerica

--Paper 2 Due – Position on Heart of Darkness. Post to K drive, send me an e-mail, bring a disc, or bring copies. --Discussion Leadership Response (See sign-up)

-- Journal Response (in class)

 

May 25

Various readings from MultiAmerica

--Discussion Leadership Response (See sign-up)

--Journal Response (in class)

 

May 26

Various readings from MultiAmerica

--Discussion Leadership Response (See sign-up)

--Research Question(s) Due – short piece

--Journal Response (in class)

 

May 27

 

--Bibliography and Prospectus due. Post to K drive, send me an e-mail, bring a disc, or bring copies – short piece

--Journal Response (in class)

Week 4

May 31

Holiday

 

 

June 1

 

--Journal Response (in class)

 

June 2

 

--Journal Response (in class)

 

June 3

 

--Research paper due. Post to K drive, send me an e-mail, bring a disc, or bring copies.

--Journal Response (in class)